After reading “First Principle of a Posthumanist Approach to Grammar,” Steven Hopkins mentioned to me that “it sounds like a posthuman grammar aims to be a universal grammar that humans just happen to also participate in.” That’s an important observation, so I wanted to address it before moving on to speculations about other principles.
One of the purposes of a posthumanist approach to grammar is to delay or move beyond the types of value judgments that we see in traditional humanist approaches (more on these later). As a radical approach, a posthumanist approach invites us to move beyond the categories of human/nonhuman. In this regard, a posthumanist approach to grammar attempts to widen the scope of communicative possibilities, even to an infinite degree. How, then, is this not a universalist approach?
This is a difficult question, one that raises an important ethical choice. Taking a universalist approach, one could begin to see all communicative acts as equal, a vision which would lead to critical powerlessness. On the other hand, taking a universalist approach, one could easily start making hegemonic value judgments based upon assumptions about what posthumanism hopes to achieve. In other words, one could use the radical category of posthumanism to attempt to create a different, but equally hegemonic, social order.
It is precisely because of these dangers that scholars taking a posthumanist approach to grammar must ground their assertions in contingency. In any given situation, how does one define grammar? What is the relationship between the users of that grammar? Are there multiple grammatical perspectives being brought to the communicative situation? What choices are available to the users of these grammars? How do these perspectives influence the quality of the relationships between speaking bodies?
In short, the ethical choice for someone using a posthumanist approach to grammar is to make a commitment to start from the ground these questions (and others, depending on the context) would provide.
First principle: “Grammar is capable of a human interface.” To my way of thinking, this point cuts in several directions at once. First, a posthumanist approach to grammar asks us to think beyond what it means for human beings to communicate using grammar. It conceptualizes grammar as a system with complex and immeasurable origins. One is reminded of the Burroughs-circle conversation about language being a virus from outer space, and using a similar gesture a posthumanist approach to grammar does not attempt to treat grammar as an abstract system outside the human but studies instead its causes and effects once that contact with the human is made.
Nevertheless, by conceptualizing a grammatical system that goes beyond a human interface, we can imagine that grammar is capable of an unlimited number of interfaces with other forms of life. Just this week, IBM Watson illustrated a fascinating performative encounter with some basic grammatical rules, and scholars who are interested in the posthumanist possibilities of silicon-based life will no doubt be turning even more attention to the ways that machines learn and use language.
A posthumanist approach to grammar also gives us the ability to imagine that grammar is capable of nonhuman animal interfaces as well, as illustrated by recent studies showing various animals with vocabularies far more complex than previously imagined. Other practical studies—Temple Grandin’s work being a primary example—that delve into the visual nature of nonhuman animal language also speak to a posthumanist approach.
Finally, and this takes us into even more speculative territory, a posthumanist approach to grammar gives us a space to study the language of those Other nonhuman beings that I, for one, have only read about: gods, angels, demons, zombies, aliens, etc. Until I actually encounter one of these beings, I suspect any work that I do in this area will have to rely on second-hand accounts.
As I’m imagining it, a posthumanist grammar would work from three basic principles:
1) Grammar is capable of a human interface;
2) Both communication and creativity are a result of that interface; and
3) Communication and creativity can be at odds from a humanist perspective, but not from a posthumanist perspective.
These principles promise to move our thinking forward in the field of composition and rhetoric about grammar because they provide a new way of addressing questions about grammar and student writing. Generally speaking, one of the most controversial questions in the field is how to deal with student papers that contain grammatical errors, errors which often cause teachers, some administrators, and the general public to condemn our educational system and pronounce a strong need to get “back to basics.” A posthumanist approach to grammar invites us to focus more specifically and more dynamically on language awareness and usage.